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Annotating Adler
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Items
Introduction
The Manifestation of an Identity
Adler and DeNiro: The Masculine Method
Selection from Script Interpretation Class: Candida by George Bernard Shaw (ADS0504)
Selection from Script Interpretation Class: The Seagull by Anton Chekhov (ADS0565)
Selection from Scene Studies (ADS0093)
Selections from Scene Studies (ADS0093)
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0244)
Selections from Script Interpretation Class: Miss Julie and The Father by August Strindberg (ADS0324)
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0243)
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0186)
Selection from Script Interpretation Class: A Doll’s House by Henrik Ibsen (ADS0244)
Selections of Acting Techniques (ADS0167)
Contributor Bios
Index
Annotation Index
Act out
Acting Voice
Acting Voice, Dramatic Pause
Acting
Addressing student
Addressing Student
America, National Identity
Amused
Audience Reaction
Body Language
Character Analysis
Characterization
Chekov
Circular gesture
Clarifying Question
Class
Class, Economics, Family, Gender, Strindberg
Claw hand
Clenched Fist
Closed fist, Pointing
Come hither motion
Conspiratorial
Contemplative
Costume
Democracy, Masculinity
Dialogue with Student(s)
Discussing Personal Experience
Distraught
Dramatic Pause
Dramatic Pause, Teaching Voice
Emotional Self Regulation
Emotional Self-Regulation, Act out
Environment
Family
Fiddling With Spectacles
Fiddling with Spectacles
Film Industry
Forceful
Gaze
Gender
Gender, Masculinity
George Bernard Shaw
Gesticulating
Gesticulating, Gestures in Rhythm with Words,
Gesture in rhythm
Gesture with volume
Gesture with word
Gestures in Rhythm
Gestures in rhythm
Gestures Mirror Words
Giving Direction
Head shake
Henrik Ibsen
Historical Context
Hugging Self
Hyperbole, Human Nature
Ibsen
Ibsen, Scandinavian Theater
Ibsen, Scandinavian Theater, Discussing Personal Experiences
Identity
Interviewer
Laughing
Laurence Olivier
Lips
Malden
Masculinity
Military, Cold War, Communism, Human Nature
Mock Acting
Mock Acting, Scandinavian Theater
mocking
National Identity, Moscow Arts, Comedy Francais, Swedish Theater
Neutral and informative
Physicality
Physicality, Script Analysis
Pointing
Pointing, Reach Out
Question for Class
Question to group
Realism
Recording
Religion
Religion, Gestures In Rhythm
Religion, Gestures Mirror Words
Research
Scandinavian Theater, Discussing Personal Experiences
Script Analysis
script analysis
Script analysis
Script Analysis, Characterization
Script Analysis, Class
Script analysis, Historical Context
Script Analysis, Pointing
Script Analysis, The Method
Sip
Size
Size, Masculinity
Size, Religion
Stanislavski
Strindberg
Students
Survival
Swaying
Teaching Voice
Teaching Voice, Acting Voice
Teaching Voice, Mock Acting
Teaching
Technique, Class, Capitalism, Family
The "Truth"
The Acting Life
The Method
The Method, Class
The Method, Imagination
The Method, Teaching Voice, Acting Voice
The Method, The Truth
The Norm
The Truth
Theory and Technique
Transition
Typage